Google images pulled up using the search term laberintos. Interestingly, these photos don’t show up until the 4th and 5th pages.
Paddy Johnson
It's about time.
Nov 01
Sep 10
Google Classic, endlessly reblogged and largely unattributed. Credit where it’s due:
This is designer Paul Boag’s entry for the dconstruct Time Capsule, tracked down via Tin Eye.
(via boagworld)
Apr 19
![forwardretreat:
Join me [Sarah Hromack], Paddy Johnson, David Coggins, and others for:
THE GLORIFIED DOCENT at the Elizabeth Center for the Arts.
The Glorified Docent is an evening of screenings of bootlegged art films, with live color commentary from guest “critics” based on the structure of Mystery Science Theater 3000 (MST3K), the American cult television comedy series that aired from 1988 to 1999. The critics remain anonymous, with only their silhouettes visible as they give their spontaneous “Siskel & Ebert from Hell” take on what they are watching.
Guest critics include Art Fag City, David Coggins, Bill Cole, Steve Dumain, the Eh-Team, Sarah Hromack, Lady Rizo, Nathan Shafer, and others.
The evening events are organized in conjunction with the current exhibition, Never Late Than Better, where the future and past are irrelevant, and reality is a curator’s whim.](http://22.media.tumblr.com/0BVFKcUAtmghgsdxQFIgYmLCo1_400.jpg)
Join me [Sarah Hromack], Paddy Johnson, David Coggins, and others for:
THE GLORIFIED DOCENT at the Elizabeth Center for the Arts.
The Glorified Docent is an evening of screenings of bootlegged art films, with live color commentary from guest “critics” based on the structure of Mystery Science Theater 3000 (MST3K), the American cult television comedy series that aired from 1988 to 1999. The critics remain anonymous, with only their silhouettes visible as they give their spontaneous “Siskel & Ebert from Hell” take on what they are watching.
Guest critics include Art Fag City, David Coggins, Bill Cole, Steve Dumain, the Eh-Team, Sarah Hromack, Lady Rizo, Nathan Shafer, and others.
The evening events are organized in conjunction with the current exhibition, Never Late Than Better, where the future and past are irrelevant, and reality is a curator’s whim.
Apr 10
The last image on this blog is particularly unsettling.
Apr 08
Fake Guy Debord I assume.
Apr 05
“All that is solid melts into air.” Marx, reduced to a Lego toy. Next?
+ After Capitalism (Prospect)
Mar 24
Mar 20
I gave this status a thumbs up, perhaps unfairly discounting the financial burdon of the accident.
Mar 02
Somewhere in Australia. Image: Katherine Schmaltz
“And oh, what a mercy it is that these women do not exercise their powers oftener! We can’t resist them, if they do. Let them show ever so little inclination, and men go down on their knees at once: old or ugly, it is all the same. And this I set down as a positive truth. A woman with fair opportunities, and without an absolute hump, may marry WHOM SHE LIKES. Only let us be thankful that the darlings are like the beasts of the field, and don’t know their own power. They would overcome us entirely if they did.”
– from William Makepeace Thackeray’s Vanity Fair
(via La Lux)
(via Personism)
